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Tuesday, March 6, 2012

Everything I Had





This bouquet brightened my cold rainy Sunday this weekend. I basically decided I would just throw everything together and I was pleased with the result. Garden Roses, Black Queen Anne's lace, Pin Cushions, Cherry Blossoms, Ranunculus, Parrot Tulips, White Delphinium, Poppies, Hyacinth, Skimmia, Pepper Cress, Frittilaria, Seeded Eucalyptus. Yeah. Everything

Friday, March 2, 2012

Copper and Violet




I'm so in love with copper these days! I want a giant metal copper pendant globe shade for my living room! I want a whole collection of vintage copper goblets and pedestal dishes! I want it all and I want it in copper! It just gives such a warm sexy cast to everything. I'm sure my love affair will expire at some point but for now I'm pushing copper baby! especially with apricots and pinks.
I started to play around with that palette and threw in another color, which in my imagination I would probably have cringed at, but when I paired the soft pale apricots garden roses with hints of crimson with violet something unexpected happened, it produced that richness that you see in old Dutch paintings. The play of warm and cool tones in unabashedly saturated notes that work like a bunch of inspiring personalities at a dinner party- great relational conversation! I may sound as if I am more in love with myself than copper at this point but honestly, I take little credit! When you have such beautiful materials in front of you it's easy to think you're a great master but like photography, it's not a great photo without a great subject. Yes, it takes skill and a good eye to make an arrangement work and the understanding of mass and line play essential roles but when I think how I struggle drawing an arrangement it brings me crashing back down to size. Floristry is an applied art but with experience and a knowledge of your materials it's not brain surgery- the flowers do more than half the work. As for drawing and painting- it's all you. Next drawing session, Wed, March 7. Hope to see you :)

Thursday, March 1, 2012

Suddenly Last Summer

Here are some photos I received from a wedding we designed last summer. Each table was delegated to the name of a different herb corresponding to ingredients incorporated into the centerpiece at that specific table. The place settings also correlated to the table's chosen herb with tiny bouquets of each herb on the napkins. We alternated tables with iron bird baths and lower iron urns to give the room meandering visual points of interest. The wedding took place in a small historic stone church and the reception at Blue Hill at Stone Barns which was the perfect setting for a romantic country summer wedding!

Wednesday, February 29, 2012

Jewels


I was consulting with a bride who wanted bright jewel toned flowers and had these in the fridge from a photo shoot earlier in the week. So I decided to see how bright and jewel tone-like I could get. It's still so strange to be working with Cherry blossoms this time of year! I have to wonder what will be left come the actual spring time. Well, hoping for the best!

Thursday, February 23, 2012

Winter? Fast Forward- Spring

A sweet arrangement for a mother expecting twins. Ingredients include Garden Roses, Icelandic Poppies, Parrot Tulips, Queen Anne's Lace, Dusty Miller, Fringed tulips, Begonia Blossoms, Fritillaria, Jasmine, Seeded Eucalyptus, White Cherry, Stock and Phlox.

Monday, February 13, 2012

Setting a Proper Intention

This thing called Cancer is the modern day plague and ravishes our world taking our dearest innocent loved ones in it's path. None of us are spared of this democratically cruel attack upon our brothers and sisters, mothers and fathers, children and friends.
Yesterday I delivered two altar arrangements for the memorial service of a client's 27 year old daughter-in-law who had passed away after battling cancer. When I arrived I waited as her young husband was in the chapel having his time alone with her. Her wedding photo was on an easel at the entry way. She was gorgeous, radiant and had the most genuinely happy look on her face on that wedding day. Seeing her image brought tears to my eyes. When the young groom came out I went to him and offered my deepest sympathies from the bottom of my heart. He looked into my eyes and felt my sincerity and smiled, thanking me. He was so sweet and his love for her was palpable.
When I placed the arrangements amongst the other "funeral flowers" they somehow elevated the atmosphere and I believe helped her presence be felt.
In the Buddhist tradition the deceased enters a bardo (intermediate state) that can last up to 49 days before the stream of consciousness or soul "comes again" or reincarnates into a new life. From the moment I received the call on Friday for these flowers I felt a great responsibility to transcended the typical cookie cutter funerary pieces. The client explained to me who her daughter was, the colors she liked and how the arrangements should stand apart from all the others. This order consumed my entire weekend and I set my intent to offer this young lady who had rested from her battle the best I could deliver. I imagined her finding her way to a very happy new life and also placed myself in the shoes of her family members hoping to bring them some ease by presenting her surrounded by beauty and not stiff commercially produced funeral stands with the usual selection of flowers.
My client arrived as I placed the two arrangements and she was very pleased. She was immensely gracious and repeatedly thanked me, actually praising my work to the other family members standing there and explaining how quickly I managed to deliver such special pieces.
I do believe that through setting the intention I created an unspoken connection with this family.
Sometimes, when I'm battered by the extreme hard work this work entails or when my own budgeting falls short and my profits on these labors of love are minimal,
I feel that this is a thankless job. It's rare that I am reminded how important the work actually is. This was one of those times. I had a realization that the amount of love that I put into my work is love which is not lost on its recipients. As ephemeral as it is, the beauty which flowers and decor offer elevate the most important moments of our lives including birth, death, union and celebration. As a florist and decorator I take my work very seriously and know the inherent value of these earthly accessories- they have the ability to bring meaning to a moment and help us to elevate our thoughts and emotions. As back breaking and challenging as it is, it is meaningful and appreciated.

Saturday, February 4, 2012

Still Life Class 2/2/12





This week was the first Still Life Class at the Studio. It's been years since I have drawn and so the drawings left a lot to be desired but the bug bit me hard! My very dear friend Barbara showed up and we sat for 2 hours drawing from an arrangement of Spirea, Flannel Flowers, Snow drop bulbs and Muscari. I didn't make it easy for us choosing such minute detailed material, but the composition had a lot of movement and delicacy. Today I went back to the scene of the crime and added some poppies to it and attempted a pastel drawing. Needless to say I need a lot more practice. Next session is Monday night for any takers! 8PM at 285 N6th St Williamsburg. Email me at bridget@thedesignersco-op.com to rsvp your spot. I will probably start at 7 and go till 10.

Hope to see some shiny happy faces!

Monday, January 30, 2012

Playing Around With Light



Sometimes something gets into me and I start experimenting with anything I can to create a visual effect. Sunday it was this little opalescent plastic ribbon that refracted sunlight like what I would imaging the Northern Lights might do while taking psychotropic drugs. I might make these into transfers on canvas and try painting over them. Hmmmm.......
Then I found these little multicolored angle lights and futzed around with those and a poppy pod.
That's my idea of having fun :)
This Thursday is the first Flower still life class for anyone interested.
8PM-10PM at 285 N6th St (email first to get my cell so I can let you in) Hope to see any and all!!!

Saturday, January 28, 2012

Call for Artists!!



The Moth
1946
Grace Albee


This astonishingly beautiful wood cut by Grace Albee inspired me to create a warm hued arrangement with tans, rust and other brown and muted textural elements. I am quite pleased with the color palette and gesture which I'd like to think harks back to a bygone sepia toned memory. She also inspired me to brush up on my drawing skills.
I'm going to host a floral still life class open to anyone who is serious about sharpening their artistic abilities and training to really SEE. This is experimental and the first classes will be free so if anyone wants to join please email me and lets do this!! Charcoal ready! bring self and pad of drawing paper! I really hope to hear from y'all artists!!!

Wednesday, January 18, 2012

Tender as the Night

OK so I went over board uploading photos from this sample but I couldn't leave any out. My all time favorite color combination for weddings: blush, white, gray, green with very small hints of pale blue and smaller accents still of hot pink. Above I paired assorted vintage silver vessels with an etched glass mirrored frame and jewel box and crystal candle sticks. For the actual wedding I'm proposing these smaller arrangements marching down the center of a long communal table anchored visually by two tall crystal candelabras. Half of the round tables will have larger central arrangements in the same style with a pair of crystal candles and assorted mercury glass votive holders and the other tables tall silver fluted vases filled with masses of June bush and a few small floral pieces at the base with various votives. Voila! Enchanting!
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