Gray Spring Day

Here's what's left and clinging for life of a full bale of Magnolia branches brought into the studio this weekend. This variety of Magnolia actually looks crumpled and listless the moment it blossoms and that's what I love about it- the drama, the gesture. Tomorrow I will share more Magnolias from the outside world but for today I present my belles of the ball arranged in a cross hatched mess of their former branch selves. Throw in some contrasting Purple bearded iris, Frittilaria and hellebores and we have a very dramatic, one might say operatic play of shapes and color. Do I hear Arvot Part? The perfect harmonic counterpart for a gray early spring day.

Happy Birthday Sis

Today felt like the first day of Spring and it is! It is also my big sister's birthday. I decided to give her a post and make a bright Spring Arrangement for her to enjoy as her own.
I love you Alejandra!!! Happy Birthday!!!

White, Gold and Violet

I spent Sunday in our sun drenched studio working on variations of this arrangement to photograph for Traditional Home Magazine. Features Editor Doris Athineos with her impeccable taste sent over a Seguso Sommerso vase which was an atypical choice for me but in the end a fun assignment. I would not have normally paired this type of loose Spring garden-style arrangement with such a modern vase but the result is both modern and romantic.

Thanks Trad Home for the shout out! I hope we can do more of these together!

National Women's Day

I honor Meryl Streep today for standing up to create the first National Women's History Museum! For being outstanding at everything that she does and for being a self realized female who defies the place that Hollywood fixes for women simply by being a genuine artist and an honest human being. Happy Woman's day Meryl!

Women's place in history is a subject on Streep's mind of late. Her next off-screen project is theNational Women's History Museum, an entity that exists so far only in cyberspace and that the actress is trying to get erected in brick and mortar on a site adjacent to the National Mall in Washington, D.C.

“History until the 20th century was written by one member of the human family and it wasn’t the mother,” Streep said in a mid-December interview in New York City with her “Iron Lady” director, Phyllida Lloyd. “It was dad. That’s who wrote history and ... what was important? Movements of armies, sovereignty of nations, all sorts of things. But women were there all along and they have incredible stories that we don’t know anything about.”

Financing for the $400-million museum is being raised privately — Streep donated $1 million to the endeavor — but congressional approval is required for the location, which would place the building near institutions such as the National Air and Space Museum, the Museum of the American Indian and the Ulysses S. Grant Memorial. A bill to allow the museum has passed committees in the House and the Senate and is awaiting action by the full legislative bodies.

“It’s a political football, I gather,” Streep said. “It’s a thing that everybody in Congress agrees with but then they attach it to something that no one agrees with .... It would be a beacon to women all over the world, because there really is no such museum. There are cottage museums — there’s a quilt museum, there’s a cowgirl museum.”

The normally private Streep has made herself the public face of the museum effort, hosting events and sending fundraising letters. Her participation in inspired, Streep said, by her grandmother, who lived before the passage of the 19th Amendment.

“My grandmother had three children in school and she would have to go to the golf course and get my grandfather off the ninth tee to make him go to the school board election, 'cause she was not allowed to vote,” Streep said. “She’s so vivid in my life. I think that that memory of when we were disenfranchised is important to learn.”

“There are so many great stories,” Streep said. “Every child knows the name of our first traitor, Benedict Arnold, but nobody knows the name of the first female soldier to take a bullet for the U.S., who enlisted under her dead brother’s name. Nobody knows Deborah Sampson’s name. That’s a great story. Or Elizabeth Freeman, who was the first slave to sue for her own freedom and won in Great Barrington, Mass. Every boy and girl should know these stories .... I hope we get it done.”

Deborah Sampson was born in Plympton, Massachusetts to a poor family. She was the oldest of six children. As a young girl of 8-10 years old, she was hired out as an indentured servant to Jeremiah Thomas on his farm in Middleborough, MA. She did many things on the farm like milking cows, stacking hay, feeding the animals and plowing fields as well as household chores. Most importantly, she was allowed to go to school in the winter when there was less work to be done on the farm. When she reached the age of 18, she gained her independence and worked as a teacher.

She believed in the cause of independence, and wanted to do something to help. She was taller than most women of the time and very strong from all the work she had done. Women were not allowed to join the army, so Deborah disguised herself in men's clothing and enlisted in the Continental Army under the name of Robert Shurtliff in 1782. The other soldiers teased her about not having facial hair, but they just assumed she was too young to grow a beard. She was sent to the Hudson Valley in New York where she saw action as an infantryman and was wounded twice. While laying in a Philadelphia hospital with a severe fever, a doctor discovered her true gender and took her to his home to recover. He did report that Deborah was a woman, however and she received an honorable discharge from General Henry Knox in October of 1783.

After returning to Massachusetts, she married Benjamin Gannett and they had three children. In 1790, she tried to obtain an Army pension for her service in the war. She gained the support of public leaders, most notably Paul Revere who wrote a letter to the congressman of her district, William Eustis on her behalf. (Click on "View Transcription" at the top of the window to read the transcription of the letter.) She received a U.S. pension of $4.00 a month.

Colonel John Ashley of Sheffield, Berkshire County, Massachusetts, acquired Mumbet and her sister, Lizzy, from their owner, a Dutchman named Pieter Hogeboom, upon his marriage to Hogeboom's daughter, Annetje (Hannah).

The event, according to folklore, which prompted Mumbet to sue for her freedom occurred when the mistress of the house, Mrs. Ashley, attempted to strike Mumbet's sister, Lizzy, with a heated kitchen shovel in the Ashley House. Mumbet blocked the blow, but her arm was injured and she never regained its full use.

According to novelist Catharine Maria Sedgwick, Mumbet was prompted to seek freedom after hearing the Declaration of Independence spoken, and according to historian Arthur Zilversmit the people of Berkshire County then adopted Mumbet's cause to test the constitutionality of slavery following the passage of the new state constitution. Mumbet was one of the first slaves to be set free in Massachusetts and in the newly formed United States of America. She is with out a doubt the first black woman to be set free due in large part to her own determination and character. This web site is the official site for Elizabeth 'Mumbet' Freeman.

Last Year's Tendrils

You can probably guess that this arrangement is somehow related to the last post of the bouquet with "Everything I had". You're right. I reconfigured the pieces adding some to compose the aforementioned bouquet. A sprawling arrangement made in an old tarnished silver revere bowl containing dried Clematis tendrils (from last year's display), English Ivy, Pussy Willow, Delphinium, Cherry Branches, Queen Anne's lace, Skimia, Astrantia, young Parrot tulips, Poppies and Hyacinth. I'd like to see this on an escort table surrounded by assorted pewter candlesticks- maybe an old candelabra for good measure. The lost garden above is from one of my favorite garden paths at Lowther Castle in England. A tour of long lost gardens in Europe is in the works!

Everything I Had

This bouquet brightened my cold rainy Sunday this weekend. I basically decided I would just throw everything together and I was pleased with the result. Garden Roses, Black Queen Anne's lace, Pin Cushions, Cherry Blossoms, Ranunculus, Parrot Tulips, White Delphinium, Poppies, Hyacinth, Skimmia, Pepper Cress, Frittilaria, Seeded Eucalyptus. Yeah. Everything

Copper and Violet

I'm so in love with copper these days! I want a giant metal copper pendant globe shade for my living room! I want a whole collection of vintage copper goblets and pedestal dishes! I want it all and I want it in copper! It just gives such a warm sexy cast to everything. I'm sure my love affair will expire at some point but for now I'm pushing copper baby! especially with apricots and pinks.
I started to play around with that palette and threw in another color, which in my imagination I would probably have cringed at, but when I paired the soft pale apricots garden roses with hints of crimson with violet something unexpected happened, it produced that richness that you see in old Dutch paintings. The play of warm and cool tones in unabashedly saturated notes that work like a bunch of inspiring personalities at a dinner party- great relational conversation! I may sound as if I am more in love with myself than copper at this point but honestly, I take little credit! When you have such beautiful materials in front of you it's easy to think you're a great master but like photography, it's not a great photo without a great subject. Yes, it takes skill and a good eye to make an arrangement work and the understanding of mass and line play essential roles but when I think how I struggle drawing an arrangement it brings me crashing back down to size. Floristry is an applied art but with experience and a knowledge of your materials it's not brain surgery- the flowers do more than half the work. As for drawing and painting- it's all you. Next drawing session, Wed, March 7. Hope to see you :)

Suddenly Last Summer

Here are some photos I received from a wedding we designed last summer. Each table was delegated to the name of a different herb corresponding to ingredients incorporated into the centerpiece at that specific table. The place settings also correlated to the table's chosen herb with tiny bouquets of each herb on the napkins. We alternated tables with iron bird baths and lower iron urns to give the room meandering visual points of interest. The wedding took place in a small historic stone church and the reception at Blue Hill at Stone Barns which was the perfect setting for a romantic country summer wedding!

Jewels

I was consulting with a bride who wanted bright jewel toned flowers and had these in the fridge from a photo shoot earlier in the week. So I decided to see how bright and jewel tone-like I could get. It's still so strange to be working with Cherry blossoms this time of year! I have to wonder what will be left come the actual spring time. Well, hoping for the best!

Winter? Fast Forward- Spring

A sweet arrangement for a mother expecting twins. Ingredients include Garden Roses, Icelandic Poppies, Parrot Tulips, Queen Anne's Lace, Dusty Miller, Fringed tulips, Begonia Blossoms, Fritillaria, Jasmine, Seeded Eucalyptus, White Cherry, Stock and Phlox.